Google翻訳
The 20-issue series of "deja-vu" (pronounced "deja-vu") is a monumental achievement for a photography art magazine, bringing new standards and inspiration to the Japanese photography world in the 1990s. Edited by photography critic Kotaro Iizawa, from its inaugural issue, "The Eye of Deja-vu," to its final issue, "Nobuyoshi Araki: A Personal Novel," the magazine consistently explored the photographic experience of "déjà-vu" and challenged readers' sensibilities. Each issue featured masters from Japan and abroad, including Nobuyoshi Araki, Daido Moriyama, Larry Clark, Hikaru Inose, Shigeo Gocho, and Nakaji Yasui, and explored themes such as "Theatre of Fashion," "Traveling Gaze," "Going South," and "Silent Landscapes." Issue 14 reexamined the Provoke era, while issue 19 delved into the visual structure of modernism through "Bauhaus Photography." The editorial style, which oscillates between historical trends and contemporary perspectives, is remarkable. High-quality printing on the large AB format pages meticulously reproduces the texture and gradation of the photographs. The pages, which combine critical commentary and artistic quality, still radiate timeless appeal, making this series a must-have for collectors and researchers.
<Condition> Good.